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										Phra Somdej Ket Chaiyo: พระสมเด็จเกษไชโย  
									
									Pra Somdej Bang Khun Prohm is one of the 
									classic Pra Somdej amulets available and is 
									along with Pra Somdej Wat Gaes Chaiyo 
									perhaps the next in line to the Pra Somdej 
									Wat Rakang amulet as far as popularity, 
									beauty, sacredness of Puttapisek ceremony 
									and price range.Pra Somdej Bang Khun Prohm Kru Pra Chedi Yai 
									(Large Chedi Kru amulets)
 The Pra Somdej Bang Khun Prohm amulets 
									classified as a Kru Pra Chedi Yai, have 9 
									different Pim Song, and were made in the 
									period between 2411 and 2413 BE
 These 9 Pim are; Pim Yai, Pim Sangkati, Pim 
									Song Chedi, Pim Prok Po, Pim Gaes Bua Dtum, 
									Pim Thaan Koo, Pim Sen Dai, Pim Ok Krut.
 The Pra Somdej Bang Khun Prohm (Wat Mai 
									Amataros) amulet.
 Pra Somdej Wat Bang Khun Prohm Pim Sen Dai 3 
									of a kind
 The above examples Of a Pra Somdej Bang Khun 
									Prohm Pim Sen Dai (Kru Chedi Yai), are 
									recommendable objects for reference study 
									and comparison of the Muan Sarn content and 
									Surface features.
 The clay has condensed and hardened and 
									become shiny like a domino, from passage of 
									time and atmospheric changes. This results 
									in a very smooth surface, which reveals the 
									various characteristics, tonal qualities and 
									markings as well as particles of Muan Sarn 
									present which are in extreme visible 
									evidence.
 Ru Khem are visible in the rear faces of Pra 
									Somdej Wat Bang Khun Prohm, as well as 
									‘Sanim Grapong’ – the red rust particles. 
									The hardness of the amulet to the touch 
									reveals its age. The downward curving lines 
									of the lower double ‘Thaan Saem’ (split Dais 
									model) are a perfect example of the features 
									sought after in a reference model. The 
									cracks are like deep crevices, showing the 
									shrinkage factor of drying over long time 
									periods. “Phiw Jantr’ – Moon surface.
 Pra Somdej Bang Khun Prohm Nine Top Pim
 Not all of the Pra Somdej Bang Khun Prohm 
									were placed in the Kru, it took many years 
									to create and press them and many would be 
									in a receptacle in the Kuti and would be 
									handed out by him during the time he created 
									and empowered them. This explains the 
									absence of Kraap Kru, as well as being 
									purely logical and the most probable chain 
									of events to have occurred. The Thaan Saem 
									is one of the 5 Pim Song of Pra Somdej, 
									which exist in both the Kru Wat Rakang and 
									Kru Bang Khun Prohm amulets. Pra Somdej Wat 
									Rakang have Five major category of Pim Song, 
									whereas the Pra Somdej has four more Pim 
									Song, making it nine major Pim in all.
 History records that, in the year of the 
									Dragon 2411, Samian Tra Duang Tongoses made 
									restoration work Wat Bang Khun Prohm Nai 
									(Wat Mai Amataros), and renewed the temple 
									along with the building of a new Chedi 
									Stupa, in order to place Pra Somdej amulets, 
									which Samian Tra Duang invited Jao Prakhun 
									Somdej Pra Puttajarn (Toh) Prohmrangsri, of 
									Wat Rakang Kositaram to place there, as well 
									as to empower. The amulets were made in the 
									Somdej Traditional formula of 84,000 pieces 
									(same as the number of suttas of the Pra 
									Tammakhant).
 After Somdej Toh had blessed and empowered 
									them, Samian Tra Duang was allowed to place 
									then in the Kru hiding place within the 
									Chedi Stupa behind the Upopsadha shrine 
									room. During the time from then, the Chedi 
									was sometimes accessed and amulets were 
									removed from time to time, and even some 
									thieves dug holes and stole some. This 
									became so bothersome that the Kru had to be 
									broken open officially on 24th November in 
									2500 BE. The opening took all day, until at 
									approximately 8pm, the very last Pra Somdej 
									amulets were removed. Many of them were very 
									thickly coated with ‘Kraap Kru’ (residues 
									and growths).
 
 The amulets were allowed to be rented out by 
									devotees, until the year 2509. The total 
									amount of money raised from the rental of 
									these amulets amounted to about 4 Million 
									Thai Baht.
 This money was used to construct the new 
									Uposadha shrineroom, and the renovate and 
									restore the old Chedi Stupa, as well as 
									making a bronze statue of Tan Jao Prakhun 
									Somdej Toh, which was completed and 
									celebrated in 2509 at the same time as 
									celebrating the building of the Putta Sima 
									(temple walls), and the burial of the ‘Look 
									Nimit’ (all Uposadha shrine rooms must have 
									a Look Nimit ball buried under it).
 Pra Somdej Bang Khun Prohm 2509 BE 
									Masterpiece amulet
 Pra Somdej Wat Bang Khun Prohm 2509 BE
 In that year of 2509, a new set of 9 
									different ‘Pim’ (models) of Pra Somdej 
									amulets were created and released. In 
									addition, a special Pim was released too, 
									namely ‘Pim Saiyaas’ (Sayasana Buddha in 
									laying down position). These 2509 edition 
									amulets were made using broken pieces of 
									original Somdej Toh Bang Khun Prohm amulets, 
									as part of the Muan Sarn sacred powders. 
									Once again, according to tradition of Pra 
									Somdej making, 84,000 amulets were made.
 Apart from the Somdej Toh amulet pieces, 
									broken amulets of Somdej Luang Ta Pan 2502 
									BE were also added to the mixture, and also 
									from Luang Por Lampu, who both had used 
									pieces of the 2500 BE Kru opening of the 
									Somdej Toh Prohmrangsrit amulets to make 
									their own Pra Somdej.
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